Visual Arts

Through Goethe’s Eyes: In Relationship with Art and Nature through  Goethe’s Ways of Seeing with Mary Attwood and Dr Louise Livingstone – online weekend immersive – Friday 4th, Saturday 5th & Sunday 6th October 2024 – £120

Through Goethe’s Eyes: In Relationship with Art and Nature through Goethe’s Ways of Seeing with Mary Attwood and Dr Louise Livingstone – online weekend immersive – Friday 4th, Saturday 5th & Sunday 6th October 2024 – £120

Through Goethe’s Eyes:  In Relationship with Art and Nature through  Goethe’s Ways of Seeing  With Mary Attwood, MA, and Dr Louise Livingstone An online weekend immersive Friday 4th - Sunday 6th October 2024 £120 As the Wheel of the Year turns once more and the days...

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Leonardo da Vinci – The Last Supper, with Angela Voss £10

Leonardo da Vinci – The Last Supper, with Angela Voss £10

72 minute downloadable lecture. In this lecture, I focus on the possibility of a hidden meaning within the fresco The Last Supper by Leonardo da Vinci, painted between 1495 and 1498. I want to ask whether he intended to hide a cosmic dimension behind or within this portrayal of a pivotal episode in Christian history, and if so, why.

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Testimonial and Art by Lisa Hawkins

Testimonial and Art by Lisa Hawkins

Testimonial and Art by Lisa Hawkins MA Myth, Cosmology and the Sacred student 2014-2017 I have always been interested in the spiritual, the intangible element of life. I remember as a child asking questions of materiality, did it really exist – or was it just in my...

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Art and Consciousness – Mary Attwood

Art and Consciousness – Mary Attwood

For millennia, images and form in art and architecture have carried meaning, inspired people to accomplish enormous feats and been the medium through which hidden realities could be realised.

Today it may seem an odd concept to move beyond just looking at art to perceiving it as a means with which we can wake up, transform consciousness and be informed with a sense of purpose.

Works of art often only scratch the surface of our thoughts as we fit past them in galleries and museums.

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