The Creativity, Life & Works of
Leonardo da Vinci:
Seeing into the Heart of Things
with Mary Attwood
A 3-week course: Sunday 6th, 13th & 20th March 2022 – 3:00pm – 5:00pm (UK time) via Zoom
£45 for the full course
‘We live in an age of celebrity, of flashes in the pan. But when it comes to Leonardo’s works, which supersede time and place, we have to realise that there is something more going on here, something beyond the pigment…’
Professor Martin Kemp
We will consider the faculties of: Intelletto (higher Intellect), Invenzione (skill with discovery), Fantasia (imagination) and the Sensus communis (common sense) as fundamental aspects of creativity which Leonardo wrote about and developed, and the qualities of apprenticeship, imitatio and rebirth in their literal and deeper symbolic meaning. We will explore Leonardo’s mind and work with a ‘renaissance view’ – that is – of a necessity for the broadest possible context for knowledge and understanding by also seeing through the lens of Leonardo’s contemporaries; of depth psychologists Carl Jung & James Hillman; of the neuroscientist Dr Iain McGilchrist; and art historians E.H Gombrich and Professor Martin Kemp, among others and glimpse the heart of things.
Below is a brief outline of the three weeks.
Week One – Awakening & Apprenticeship – painting and a window to the world
Some of the areas we will cover will include – Leonardo’s early life in Vinci; Master and Apprentice – Verrocchio’s workshop in Florence; painting the movements of the heart and the soul; the eye – seeing and looking, discovery and skill (invenzione), the discipline of draughtsmanship; human struggle.
Some of the works of art we will cover will include – St Jerome, Ginevra de’ Benci, The Annunciation (Uffizi), The Adoration of the Magi; early drawings among others.
Week Two – Leaving the Master – rebirth and beauty
Some of the areas we will cover will include – the flourishing of gesture, expression and emotion; liminal places; the brain hemispheres and perspectival depth and space; coming into being; the seat of the soul and the sensus communis, rebirth, beauty and the flourishing of the imagination, the goddess and inspiration.
Some of the works of art we will cover will include – The Virgin of the Rocks; The Last Supper; the Sforza monument; Vitruvian man; anatomical drawings and other drawings; Lady with an Ermine among others.
Week Three – Seeing into the Heart of Things – the body and the living earth
Some of the areas we will cover will include – the coming together of imagination, intellect, skill and discovery and common sense (sensus communis); sfumato and the mystical; looking at and seeing through; final years and death.
Some of the works of art we will cover will include – Salvator Mundi; the mystery of the lost frescoes, The Mona Lisa; Leda and the Swan; the Centenarian; Deluge drawings and more.
For those who cannot attend live, there will be a recording available after each session has taken place. Simply book a ticket via the button below, and the recording links will be sent with the joining instructions.
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Mary Attwood is an art historian, writer, teacher, lecturer and a business creative. She is a co-director of the Centre for Myth, Cosmology and the Sacred and a co-founder of Iain McGilchrist’s platform, channelmcgilchrist. She was the founding Chairman of the Victoria Arts Society, and is also a qualified practitioner of yoga, meditation and mindfulness.
Mary holds an MA with distinction in Myth, Cosmology and the Sacred, and her thesis, ‘Rebirthing a Lost Vision of Renaissance Art’, researched quattrocento Florentine Renaissance art from a broad context of ancient Greek philosophy, the neuroscientific approach of Dr Iain McGilchrist’s thesis on the left and right hemispheres of the brain, archetypal psychology and Renaissance artistic approaches. She holds a BA hons degree in The History of Art from London University where her studies focused on Italian late medieval and Renaissance art and architecture.
Mary’s teaching and research seeks to offer a broader understanding of art, not as an object to be analysed, but as an interface of perception, consciousness, epistemologies, psychological and philosophical knowing. For more information visit www.maryattwood.com.