Renaissance Art and Culture

Secrets of the Heavens CD – £10

Twenty years ago, I was fortunate enough to mastermind a project of recreating the Orphic Hymns, ancient invocations to the seven planetary deities, to evoke the spirit of Marsilio Ficino's astral magic in 15th century Florence.

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Art and Consciousness – Mary Attwood

For millennia, images and form in art and architecture have carried meaning, inspired people to accomplish enormous feats and been the medium through which hidden realities could be realised.

Today it may seem an odd concept to move beyond just looking at art to perceiving it as a means with which we can wake up, transform consciousness and be informed with a sense of purpose.

Works of art often only scratch the surface of our thoughts as we fit past them in galleries and museums.

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Marsilio Ficino, the Second Orpheus by Angela Voss

Through his revival of Platonic thought, the Florentine philosopher Marsilio Ficino (1433-99) stands at the forefront of the great spiritual and cultural rebirth we call the Renaissance. Priest, theologian, astrologer, physician, musician and magician, his life was dedicated to the reconciliation of faith and reason in the quest for self-knowledge, and knowledge of God.

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Ficino and Astrology by Angela Voss

I propose to approach the astrological viewpoint of Marsilio Ficino in the light og this "human music". Certainly, by a close examination of his own astrological make-up and an understanding of how the planetary energies worked in his own personal experience, Ficino was able to arrive at an understanding of astrology which can only be termed "psychological".

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The Natural Magic of Marsilio Ficino by Angela Voss

Marsilio Ficino of Florence (1433–99) is chiefly remembered for his role as the head of the Platonic Academy, a cultural centre where the foremost artists and humanists of the day gathered to promote a new Renaissance attitude towards philosophy, religion and the arts.

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The Music of the Spheres: Marsilio Ficino and Renaissance Harmonia by Angela Voss

Most people are familiar with the exquisite painting by Botticelli known as the Primavera. But perhaps it is not so widely known that the programme of its enigmatic symbolism was inspired by the neoplatonic notion of the harmony of creation, reflected in the correspondences of the mythological characters to both the eight planetary spheres and the eight tones of the musical octave.

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Orpheus redivivus: The Musical Magic of Marsilio Ficino

In a letter to Paul of Middelburg, written when he was nearly sixty, Ficino looks back over the great achievements of the Florentine Renaissance: "This age, like a golden age, has brought back to light those liberal disciplines that were practically extinguished: grammar, poetry, oratory, painting, sculpture, architecture, music and the ancient singing of songs to the Orphic Lyre". He is of course referring to both his own and his friends' well-attested skill at improvising or composing musical settings for the Hymns of Orpheus, which he himself had translated from the Greek, and whose ritual use in the practice of natural magic lay at the very heart of Ficino's work with the Platonic Academy.

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